woensdag 29 februari 2012

«Me luejt kufinin âsht nji si me luejt me eshtent e të dekunve.»



A five-week project in Tiranë, Albania, researching the Albanian society. Its main focus is the rise and fall of the two "major" systems of our modern age, being communism and capitalism. In what way is this to be seen in contemporary Albania?
My focus was on the tension between Albania's tribal law system and the current state laws. In several areas throughout the country, as well as its capital Tiranë, the tribal laws as written in the Kanun of Lekë Dukagjini are seen as more important than the current state laws. This is the case for a whole range of situations; marriage, making boundaries, theft, murder, et cetera.
During the communist period, Hoxha tried to eliminate the Kanun from the people's mind and introduce the communist system. But after Hoxha's death and fall of communism, a lot of people took on their old habits. Theft was again punished as written in the Kanun, and so were borders and food divided as in the Kanun.
The idea of this continuing conflict between the current system and the Kanun, lead me to making a public intervention at the place where the last house at the Lanë stood. This house functioned as a symbol of the Kanun being still present in the society nowadays. It was demolished a whole decade after the other houses had been destroyed. The reason for this was that a family that was a victim of the gjakmarrja (honor killimg) was residing there. This last house functioned as a safe place, and by destroying it, the streets lost a very present element of the Kanun.


Press-release in Albanian: "Kanuni është libri tradicional i ligjit në Shqipëri, besohet se vjen nga kohët më të hershme të ligjeve fisnore ilire të Epokës së Bronzit. Megjithatë, gjatë periudhës komuniste, ndikimi i Kanunit u ndrydh; po flinte, dhe urrejtja e vjetër mori hak pas rënies së komunizmit. Në Shqipërin ë bashkëkohore ekziston një konflikt i vazhdueshëm ndërmjet Kanunit tradicional dhe ligjeve aktuale të shtetit..."

Press-release in English: "The Kanun is the traditional law book of Albania, supposedly dating back to Illyrian tribal laws of the Bronze Age. However, during the communist period, the influence of the Kanun was suppressed; it slumbered, and old hatred was revenged after the fall of communism. In contemporary Albania there is a continuing conflict between the traditional Kanun and the current state laws..."


More information on the project being part of the exhibition 'Piramida' can be found at the blog or the website of Vizion Plus and Gazeta Mapo.

























«Me luejt kufinin âsht nji si me luejt me eshtent e të dekunve.» (v1 and v2)
performance and installation






maandag 20 februari 2012

Tirana Ekspres, Tirana, 24th of February



Ekspozitë 'Piramida' do hapet 24 Shkurt, 19.00, Tirana Ekpres. Mos mungoni!



Një ekspozitë e artistëve ndërkombëtar / An exhibition of international artists:

Diomen Bariçi
Áron Birtalan
Ana Daci
Fatlum Doçi
John Fanning
Moritz Geremus
Pim van der Heiden
Silvia Jánošková
Frederic Janssen
Eric Peter
Ronald Schelfhout
Nika Volkova


Kuruar nga / Currated by:

Vincent van Gerven Oei
Gosse de Kort





zondag 15 januari 2012

Trans-







The Castle that Wanted to be a Lake
mixed media (ice cubes, miniature trees)






Trans-










mixed media (clay, wood, wool)






vrijdag 21 oktober 2011

NEST, The Hague, 13th of October



The identity that is created in order to form a group of people, and the boundaries between different groups of people. In a performance with two models, I confronted the art public with a boundary that exists between them and the models, but might be liked to ignore. A confrontation with the 'other' of which we might feel a certain fear or maybe a reverence for its beauty.
Next to the performance there is a booklet containing a short novel and illustrations. The text is written as a realistic poetic account before it all happened and tells about the very same evening through the eyes of different fictional visitors of the exhibition. As if not on the evening itself in the performance, the short novel emphasizes the existence of an 'other' and group identity in a even more surreal way, or the combination of the two.

Press-release in Dutch: "De performances van Vanessa Beecroft waarin min of meer gelijk ogende figuren zich onder de toeschouwers begeven, roepen vragen op over groepen mensen en hun identiteit. De figuranten die Eric Peter op deze avond in de ruimte rond laat lopen maken enerzijds deel uit van het publiek, maar scheiden zich er anderzijds ook van af. Zo ontstaat een surreële ontmoeting met de 'ander'. We worden ons bewust van grenzen die er misschien wel zijn, maar die we graag negeren."

















Five Blue, Twenty White (v1)
performance, short novel
performers: Marijke Everts and Shehera Grot






woensdag 12 oktober 2011

Booklet











Short novel Five Blue, Twenty White, 2011
Twenty-four pages, seven illustrations, text in Dutch